ENSBA was the most liberating school Past Review

By (Fine and Studio Arts., SMFA - School of the Museum of Fine Arts) for

Ecole Nationale Superieure des Beaux-Arts (ENSBA): Paris - Exchange Program

What did you gain/learn from your experience abroad? Was it worthwhile?
I used to always think that I worked better under stress, I've learned here, that that is untrue. If I could go back in time to graduating high school I would have applied to ENSBA it's 500 euro a year to go there people. COME ON! My future plans are to graduate SMFA and come back to France find a simple job possibly WOOF and work on my art. I know now, that life doesn't have to be as stressful and as cut-throat as we know it in the states. The french have shown me that life comes first and work second and I think this is completely lost in American life, so that's why I'm moving back to France once I graduate.

Review Photos

Exchange: Paris - Ecole Nationale Superieure des Beaux-Arts (ENSBA) Photo

Personal Information

How much international exposure did you have prior to this program? 1 month - 6 months

Review Your Program

* Overall educational experience

Academic rigor, intensity, resources, etc.

I have found the most liberating school, and it is ENSBA, if I could turn back time I would enroll there for all four years. First, it's you who controls the classroom, it is your playground and you are free to create whatever you like, unlike SMFA, it has very little structure, but somehow because it operates so simply it runs very fluidly. For instance in all but one of my studio courses I was able to choose the time to work there, if I wanted to come in a 6 and work until 10pm, okay, and the following day come in at noon and work until 1, that's fine. No one keeps track of what your doing, unless you invite them in. Now all this being said the professors do keep track if you never come in, if you have great, time-consuming-art in another studio as an excuse, they may just let you slip by with a low grade, if your work has showed that you needed the extra time to finish it. All of the professors are working artists, and fairly famous ones, I had one professor who had work up in the Maillol Museum. They're all very brilliant, insightful, and most good humored. This being said, let me tell you, you must be able to comprehend french in order to get all there is out of this school, or else you'll miss out on discussions between the students and professors that happen on the fly in class, or the great advise that the professors gave give you. Take my advise, speaking about art in another language is extremely difficult, I know I have trouble even in english talking about my work. I had friends in the program who spoke very little french and missed out on a lot because of it. So heed my words!

* Housing:

How satisfied were you with your living arrangements?

My brother who lives here found me a studio apartment, so I am not going to be much help in this area. Though my advice for finding a place in Paris is to simply contact the head of student exchange at ENSBA and ask her to send out a mass email to the students for an apartment. I recommend living with Parisians obviously, so get in contact with the school, see what they can do for you, be persistent because they can really take their times with things. I live in Bastille, it's really cool, and safe, always stuff happening around here, and it's close to the Seine which is incredibly beautiful, and on my walk/bike ride to school I cruise through the oldest part of the city. I recommend living close to the center and by the Seine because it's so old and beautiful, and Montparnasse or Montmartre because of their significance to artists in the early 20th century like yesterday in the 7th I walked by the church where Henry Miller was ran out of by the priest of that church. So cool. My apartment is 600 euros a month and I live alone in a cool part of town, many of the française I speak to gasp at this because they live down in the ugly 14th or 20th and pay 300 a month in an open shared apartment. Anyways, you've got options, it'll just be an uphill battle to find them. So give yourself time before you go over in order to find something.

* Food:

Um the food? In Paris? Francetastic, duh. I don't know about the student cafeteria, because bakeries selling three euro ham and cheese where just down the lane.

* Social & Cultural Integration:

How integrated did you feel with the local culture?

Truly the best "cultural events" were the simple ones, drinking in the studio with your peers at the end of the school day, everyone lighting up cigarettes and listening to music and socializing. This is really what sets Paris apart from anything thing else, the casualness and nonchalance way of life, in the states I'd be a shaking with nerves drinking in school or on the Charles River as if prohibition was still in effect. At ENSBA there are new student exhibitions up almost every day, every day you have a chance to show your work in School, and for every exhibition drink and snacks are offered and its a lovely way to get a feel for the art that students are making, everyone gets their fifteen minutes of fame. It's magnificent. Every Thursday galleries scattered around the city have opening, where the public indulge in free wine, snacks, and art. Fête De La Musique was the end of June, that was amazing! Every other block there was a band playing out on the street and though it was a weeknight all of Paris overflowed into the streets celebrating music until the early morning, I never felt more like a sausage through a processor than I did that night squeezing through hoards of happy gyrating people. Also Bastille Day, is so fun, A couple of Fire Stations around the city host huge parties. And though I won't be around to go, perhaps anyone coming over for the Fall semester should think about getting tickets to see their favorite band play the huge concert "Rock the Seine". In short though I have only spoken about the nighttime activities there really are things to do day in and out. Lots of open markets at different points in the city every day, and most museums are free with your ENSBA ID Card, also you get a discount at movie theaters. As I've been here for a long time and no longer have any money to spend on anything, one of my favorite places to go is the Library at the Centre Pompidou, they have so much to read and watch and listen to there.

* Safety:

I had no health issues while here therefore I cannot address this topic. Being the city of lights, I'd say Paris is one of the safest cities I've ever been too, much safer than Boston.

If you could do it all over again would you choose the same program? Yes

Finances

* Money: How easily were you able to live on a student's budget?

(1 = not very easy/$200+ on food & personal expenses/week, 2.5 = $100/week, 5 = very easily/minimal cost)

Language

* Did your program have a foreign language component? Yes
Language acquisition improvement?

Paris is the worst place in France to improve upon your french because so many people speak English and they want to practice their English. It is always hard to have to revert back into french when someone has first spoken to you in English. Of course everyone at this school is french so it wasn't hard to start speaking french. I thought that I would be fluent by the end of the semester but I was only at the tip of the Iceberg, being surrounded by it my understand has heightened but not necessarily my speech because it's too easy to get by in broken french when you must spit something out. Luckily though at the end of the day and on weekends there is drinking in the studios and nothing loosens the tongue like alcohol, drinking with students at night is really what has improved my french, much more than any french course could do.

Direct Enrollment/Exchange

* Did you study abroad through an exchange program or did you directly enroll in the foreign university? Exchange

Other Program Information

* Where did you live?

Select all that apply

  • Apartment
* Who did you live with?

Select all that apply

  • Other

A Look Back

* What do you know now that you wish you knew before going on this program? A#1) If you need a rest from school instead of taking a semester off use your time wisely come to ENSBA. I had much time to reflect here and I have a very clear idea of what I want to do in the following couple of years. A#2) Speak/understand french before coming, and come with an abundance of money, or find some way to get a job over here, you'll have a much better time (look on Fusac.fr for a nanny job)!

Individual Course Reviews

Course Name/Rating:

Drawing from live models

Course Department: 20021
Instructor: James Bloede
Instruction Language: French
Comments: M. Bloede is a fascinating man with a very clear idea of what a drawing from life should look like: how thick and dark your lines are, cross-hatch shading and how quickly you can put proportions on paper. I think it's safe to say this class is the exact opposite of Mara Metcalf's "Figuremania". The model holds one pose for three hours (bless her soul) and you draw that one pose (once) for three hours. If this sounds like a bore to you let me defend it by once again stating that the professor is a very intelligent and persuasive man. He made me concentrate like I never had before, he challenged me to trust my eyes. If he saw anyone lift their pencil up and close one eye to find proportions he would scold them on the spot. He's very intense and a bit of a jerk, but he grows on you. (Il est faut que vous compreniez le français pour suivre ce cours.)
Credit Transfer Issues:
Course Name/Rating:

Founry Work

Course Department: 50050
Instructor: Varied
Instruction Language: French
Comments: I did not take this course, a friend of mine did, and I interrogated him about it. Here's what he told me: This course only permits a small group, eight students I believe, to be enrolled per semester (you must ask Patrice Alexandre for permission) and it is about a hour train ride away from the school in the heavy-duty sculpture department, a building out in Cap Sainte-Ouen, and it is three days a week in the morning for three hours. Sculpting wax and handing it over to the founders to transform it into Bronze what fun! I wanted to take this course so badly, and I am not one for early mornings or long commutes, but the major perk of this course is that all the materials are free, yes, the school gives each student 15 kilograms of bronze to use. This is an amazing opportunity and whether you like to sculpt or not I urge you to try and get into this course. I once made a bronze sculpture the size of my fist and the bronze for that size cost $50, so to receive 15 kilos of free bronze is an opportunity only the insane would pass up. Also my friend's french improved immensely from this course because it is three times a week in the early morning and all the founders there only spoke french.
Credit Transfer Issues:
Course Name/Rating:

french as a foreign language

Course Department: 70123
Instructor: Jaques Jeudy
Instruction Language: french
Comments: M. Jeudy is wonderful and amusing professor. He helps you understand french by simply slowing it down, the classes are small and so if one person doesn't understand something he rewinds and rephrases it in french until you understand which is a great way to teach and be taught a language.
Credit Transfer Issues:
Course Name/Rating:

Artistic Practice

Course Department: -
Instructor: François Boisrond
Instruction Language: french
Comments: Artistic Practice is a studio you share with 8-12 other students in the medium of your choice. You choose either by medium or by professor, though my favorite medium is not painting I chose this studio because M. Boisrond appealed to me the most because we share the belief that art-making is foremost to the pleasure it gives the artist. What is great about the practice studios is again you work alone side students who may be working very differently then you and unlike the studios at the SMFA the students are closer sharing one room together having open discussions while working instead of hiding like the cliché recluse artist. Being a member of the recluse artist club it was quite an eye opening experience for me and hightened my confidence in my work and allowed me to screw around and experiment more. (Don't worry, these are required so there's no way around not experiencing this)
Credit Transfer Issues:
Course Name/Rating:

Modeling

Course Department: 50101
Instructor: Patrice Alexandre and Daniel Leclercq
Instruction Language: French
Comments: I loved this course because it was never ending, it was a simply just a studio in which to work, I made my own hours there, and worked on whatever I pleased. Patrice and Daniel are wonderful good humored professors with a lot to say, and who have a lot creative input. Though I mainly stuck to sculpting clay, all of the students in this studio worked in a different medium, there was a girl working with wax and satin, another girl molding life size figures out of chicken wire, a boy making a papier-maché basket ball player. Because everyone's projects were so varied it was a very liberating place to work.
Credit Transfer Issues: